The Editor's Cut

An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.

Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship. In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it’s the sensory and cinematic collaboration between a filmmaker and a

Join Sarah Taylor, CCE as she chats with Jeremy Cohen about his editing career! Jeremy Cohen is an Emmy-nominated film and TV editor with over 20 years of industry experience. He is currently based in LA, where he has worked on shows such as FRESH OFF THE BOAT, CHILDRENS HOSPITAL, YOUNG ROCK, ALI WONG: DON WONG AND WHO IS AMERICA?, for which he was nominated for an Emmy. Most rece

OUR VOICES, OUR STORIES In a media landscape that favours rapid consumption and uniformity, Canadian cinema has become a vessel for diverse stories. RICEBOY SLEEPS portrays the struggles of immigration, while we embark on the search for the next stage of human evolution in CRIMES OF THE FUTURE. In VIKING, we find a reflection on the human condition in an attempt to explore Mars. Vi

Sarah Taylor, CCE sits down with Stephaine Filo, ACE to talk all things editing including her work on A BLACK LADY SKETCH SHOW, DAHMER – MONSTER: THE JEFFREY DAHMER STORY and WE GROWN NOW. Stephanie Filo, ACE, is a 4-time Emmy winner, 7-time Emmy nominee, Peabody and ACE Eddie award winner who is celebrated for her work across film and television. Most recently, Stephanie made h

The arrangement of moving pictures is referred to as cinematic language. But it is the skillful combination of picture and sound that transports the audience into a story. Strong visual and audio storytelling immerses the viewer into a world where dragons fly through the sky in HOUSE OF THE DRAGON. It makes our worst nightmares come true in the dreadful depths of the Upside Down in

Sarah Taylor, CCE sits down with Susan E Kim, editor behind A SMALL LIGHT and PACHINKO. Susan has worked across a range of content, including unscripted work, commercials and music concerts. She has been an Assistant Editor on projects that include the Emmy-winning HBO series EUPHORIA and the Duplass Brothers HBO anthology series, ROOM 104. Susan discusses the importance of colla

Award-winning producer and editor Jay Prychidny, CCE vast experience ranges from editing some of the most-watched reality television in this country, including AMAZING RACE CANADA. He has led the post-production on ORPHAN BLACK and recently edited the new WEDNESDAY series and SCREAM 6. Jay shares his insight about his editing process and lessons from his dynamic career in post-prod

This episode is an EditCon 2024 exclusive episode of The Editor's Cut with Nick Houy, ACE the editor behind the blockbuster hit BARBIE. Nick Houy, ACE, is a film editor based in New York. Before editing BARBIE, Houy edited both of Greta Gerwig’s previous Oscar-nominated films, LITTLE WOMEN, and LADY BIRD for which he was nominated for the ACE award in 2017. Houy also won the Emmy

In this conversation, editor Peggy Tachdjian, ACE discusses her career journey and her work on the show 'Only Murders in the Building.' She shares her experience transitioning from documentaries and reality TV to scripted television, as well as the challenges and joys of working on different types of shows. Peggy also talks about the collaborative process with other editors on 'Onl