MFA Writers

On this episode, Sam Herschel Wein tells Jared about their path to finding poetry outside of academia, co-founding and editing Underblong, and their approach to collaboration and humor in their writing. Plus, they discuss the nuances of MFA program decisions (Two or three years? English or Art departments?) and whether creative writing should live within institutions of higher educ

The podcast team is on spring break, giving us (and you) the perfect opportunity to revisit an episode we love. In celebration of her new short story collection, GREEN FROG, we invite you into this conversation with Gina Chung who spoke to Jared last season about her debut novel, SEA CHANGE. Gina Chung, debut author of the speculative novel SEA CHANGE, tells Jared how the book bega

Memoirist and director of the Institute of American Indian Arts MFA program Deborah Jackson Taffa talks to Jared about her new book, Whiskey Tender. Deborah shares how memoir writing is a form of familial and historical preservation, and offers advice on having difficult conversations with the real people who appear in our creative nonfiction. Plus, she discusses the value of the l

Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally realistic. Plus, Jamie talks about how her background as a Chinese immigrant and the model minority myth shape her interest in writing about in-group/out-group behaviors, and her attraction to VCFA’s em

The podcast team has been busy at the annual AWP conference, so we’re bringing you a rerelease of a great conversation from Season 2. A new episode will be in your feed in two weeks. Luna Adler talks to Jared about moving between fiction and non-fiction, Brooklyn College’s unique novel-writing workshop aimed at accommodating the long form, the tension between a slow revision pr

Kate Brody, debut author of the literary thriller RABBIT HOLE, sits down with Jared to talk about crafting a true crime novel that focuses on the victim’s family. Drawing from her own experiences with publishing, she also offers advice for choosing an agent, pivoting if your book doesn’t sell, and marketing your work. Finally, she shares the most memorable pieces of advice from

Noah Evan Wilson spent ten years finishing his undergraduate degree while developing as a musician and a photographer. On this episode, he talks with Jared about how that decade of experiences animates his current writing, how the craft of music and photography overlaps with and informs his fiction, and how the MFA has provided him the opportunity to experience college in a way he

Happy New Year from the pod team! We’re ringing in 2024 with a vacation, so enjoy this episode from our last season. Regular programming will resume in two weeks. What’s it like writing historical fiction in an MFA program? On this episode, Kayla Cayasso tells Jared about the family histories and archival research that informed her collection portraying families affected by gen

When she became a mother, Sarah Ann Noel turned to autofiction as a way to process her own childhood. In this episode, she sits down with Jared to share how those reflections became a novel about teenagers growing up in a high-control Evangelical environment. Plus, she talks about shifting from magazine editing to creative writing, attending jet-lagged residencies in Paris, and get

Finance proofreader turned full-time poet Matt Farley joins Jared to share how his transition out of the corporate world affects his perspective on his MFA program and future career. Plus, Matt talks about his manuscript on mycology and post-traumatic growth, becoming a parent during the MFA, setting up a thesis committee, and Miami University’s emphasis on play, practice, and ex