Press Play > Dedicated to All Things Reel-to-Reel

In part 2 of this two-part podcast we talk to Dan Labrie owner of Myriad Magnetic.Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR M

I have been meaning to do this for a long time, a bit more about me and my experience, so you get an idea of the person behind all of this. I did an outline of my background in Episode 1 but there is nothing like being interviewed and answering those, sometimes tricky questions, that get you searching the depths of your memory to answer them.I was asked to appear on Darren Harte’

In part 1 of this two-part podcast we talk to Dan Labrie owner of Myriad Magnetic.Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR M

The resurgence of reel-to-reel, whilst great, has brought with it a few myths and misnomers and, shall we say, less than best practice in using them. In part 2 of this 3 part mini-series on supporting reel-to-reel, Iain Betson of Reel Resilience discusses with his guests, Rob Brinkworth and Gary Hedge, about looking after the audio format we love. Support the show

In the 1960s to 1980s, when tape recorders were in regular use, there were many people to fix them. Half a century down the line, the number who now do this has reduced for many reasons. So who's going to keep these recorders running for the next generation to enjoy? In part 1, of this two-part podcast, Iain Betson of Reel Resilience is in conversation with Rob Brinkworth and

Part 2 of my conversion with Rob Brinkworth. In Episode 20 we talked about Rob's collection of Revox A77 and B77 machines and we carried on talking about the other recorders in his collection too, so I thought it would be a shame not to hear it. One of the models we spoke about was the successor to the B77, Studers attempt to bridge the gap between their consumer, Revox badge

It’s rare you can use the term game-changer in the world of reel-to-reel, In the genesis of the format developments came organically, with perhaps only the discovery of AC bias, to radically improve the recorded audio quality, being worthy of that title. But in terms of actual machines that title must go to a product introduced in 1968 by Studer under it's Revox brand name:

This episode is part 2 of our two-part look at (Sony) MCI tape machines - I am told, by those with minds immeasurably superior to mine, that there is no difference between those machines badged with the Sony or MCI logo. We talk to Graham Nystrom of Rope Room Studio based in Astoria, Oregon (www.roomstudio.com). He has an MCI JH-24, or nearly one, because as you will hear, it’s a

This episode, and the next one, of the Press Play > podcast is all about MCI tape recorders. I put the word out on the Facebook groups that I wanted to talk MCI tape machines and studio owners Thomas Yearsley and Graham Nystrom replied they would be happy to hook up. Both Graham and Thomas are great speakers and passionate about their MCIs so, with so much material, only two epi

In this episode we introduce the fourth new reel-to-reel machine to arrive on the market. Thorens show their confidence in the resurgence of reel-to-reel by the launch of the TM1600 player. Gunter Kürten, CEO of Thorens, talks about why he wanted the Thorens name on a reel-to-reel , who the machine is aimed at, why it costs what it does and, the question most asked, why a player o