Oct 19 2018 7 mins
Agave
The agave is a desert cactus. It spreads out almost like a flower; but unlike a flower, it survives year in and year out in the inhospitable desert. It is so sweet that its flesh is processed and used as an alternative to sugar. Its glory is its steadfastness, longevity, and sweetness. Prickly and yet beautiful on the outside. Alive and sustaining of life on the inside. It is patient.
Some Notes on Agave
This piece is largely tonal. It is in F Sharp Major. It is for keyboard and guitar. Although it is tonal, it uses a lot of quartal harmonies, polytonality, and some dissonance. The piece is a narrative in terms of formal structure; it expresses a motif, and then the rest of the piece is one long development section.
The piece starts with a solo piano. It begins with an unassuming moderato. The motif is almost an ostinato, but it moves just enough to suggest a simple melody. The guitar enters intermittently with a more melodic countermelody, lending it a simple polyphonic texture.
After this brief interplay, the piece slowly begins to unfold and build. The piano begins to play fast chords while the guitar sings over it. Then it takes a step back. The piano returns to the ostinato melody; however, now in a variation. The guitar continues to play a melody consisting of long, patient notes as a slow, concurrent melodic line over the frenetic keyboard activity.
The piece reaches a climax with a third piano variation over the guitar's agave theme, like an agave plant riding a desert storm. The piece ends with a quiet inversion (also a variation) of the theme in the piano, with a slow scaling motion in the guitar. Finally, the guitar ends on the fourth scale degree, suggesting the sacredness of a liturgic resolution.
Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner.
Only the latest episodes of this show are available on iTunes and Soundcloud. To locate archives of this podcast, visit: http://pjcornell.com/category/asterisked-music/piano-podcast
Follow me on Soundcloud: https://soundcloud.com/pj-cornell
Follow me on iTunes: (Asterisk Piano Podcast)
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Join the conversation on my site: http://pjcornell.com
The agave is a desert cactus. It spreads out almost like a flower; but unlike a flower, it survives year in and year out in the inhospitable desert. It is so sweet that its flesh is processed and used as an alternative to sugar. Its glory is its steadfastness, longevity, and sweetness. Prickly and yet beautiful on the outside. Alive and sustaining of life on the inside. It is patient.
Some Notes on Agave
This piece is largely tonal. It is in F Sharp Major. It is for keyboard and guitar. Although it is tonal, it uses a lot of quartal harmonies, polytonality, and some dissonance. The piece is a narrative in terms of formal structure; it expresses a motif, and then the rest of the piece is one long development section.
The piece starts with a solo piano. It begins with an unassuming moderato. The motif is almost an ostinato, but it moves just enough to suggest a simple melody. The guitar enters intermittently with a more melodic countermelody, lending it a simple polyphonic texture.
After this brief interplay, the piece slowly begins to unfold and build. The piano begins to play fast chords while the guitar sings over it. Then it takes a step back. The piano returns to the ostinato melody; however, now in a variation. The guitar continues to play a melody consisting of long, patient notes as a slow, concurrent melodic line over the frenetic keyboard activity.
The piece reaches a climax with a third piano variation over the guitar's agave theme, like an agave plant riding a desert storm. The piece ends with a quiet inversion (also a variation) of the theme in the piano, with a slow scaling motion in the guitar. Finally, the guitar ends on the fourth scale degree, suggesting the sacredness of a liturgic resolution.
Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner.
Only the latest episodes of this show are available on iTunes and Soundcloud. To locate archives of this podcast, visit: http://pjcornell.com/category/asterisked-music/piano-podcast
Follow me on Soundcloud: https://soundcloud.com/pj-cornell
Follow me on iTunes: (Asterisk Piano Podcast)
Follow me on Steemit: https://steemit.com/@pjcomposer
Join the conversation on my site: http://pjcornell.com