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Twenty-one years ago, the whole wide world was stunned by the release of a new Bob Dylan project unlike any before, a feature-length movie of his own creation aimed at a generalish audience.
Led by a future Nobel Laureate co-crafting the satirical script, populated with a brilliantly star-studded cast, and helmed by a maverick director out to compose what he described as “a great Bob Dylan song” in film, Masked and Anonymous was destined to be a masterpiece. It. Could. Not. Fail.