On today’s episode of Walt Right Perspectives I interview Dudley Newright, the editor and curator of the New Right Poast.
Like a lot of content creators on Substack I owe a tremendous debt to Dudley, who has aggressively amplified my ideas over the past year. Given this I wanted to spend some time interviewing him about his own journey on Substack and plans for the future.
We also discuss Dudley’s first original article, which has recently gone viral:
Topics include:
* How NRP collates writings, podcasts, etc. in this scene into a one stop shop
* Dudley’s plans for both horizontal and vertical expansion
* Anyone interested in being an intern for NRP should reach out to Dudley
* The tension in creative circles between curation vs scalability and where Dudley comes down in this continuum
* How Dudley originally got into amplifying heterodox right wing voices
* Why Dudley hasn’t monetized his publication yet
* How publications like Dudley’s remove the need to ReplyGuy in order to grow
* Why Dudley chose “New Right” over “Dissident Right”
* Should the “New Right” have an ideological litmus test?
* Do antisemites *really* care about Palestinians?
* Dudley’s brilliant roast of this side of Substack:
* The “Kaschuta Guest Right”
* The tendency of high openness people to repress their own disgust impulses
* The need for the Right to play with irony and relativism
* Dudley’s background in media
* Dudley’s first original article On Millennial Snot
* The inability of Millennials to age gracefully
* How gerontocracy and the crisis of competence prevents Gen X and Millennial leaders from developing real gravitas
* Older people are constantly exposed to youth while modern incentive structures promote living in a childish way
* Spread of pop culture encourages a hyper-curated self-presentation
* Irony makes it less terrifying to be seen and not taking anything seriously is a hedge against being criticized too harshly
* Women / gays don’t care about the content of ideas so much as the status coding
* The obligation in high status circles for performative authenticity and disinterest
* Why so many sensitive young men identify with JD Vance
* How Walt went from clowning on chuds to sympathizing with them
* The world needs all types of people
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