Rights in Russia

Welcome to the twenty-third edition of our Russian-language podcast Then & Now with me, Teresa Cherfas. My guest today is the Russian artist Slava Ptrk.

The Crypt Gallery in central London recently hosted a multimedia exhibition called The Brainwashing Machine, about the uses of propaganda.  The exhibition, which first opened in Madrid, showed works by artists from a range of different countries, but the great majority was from Russia. The venue in the basement of the Crypt at St. Pancras Church provided a dark and atmospheric labyrinth, with dark cells where little light penetrated.  In these alcoves and on their rough walls, were displayed intriguing interpretations of the role of propaganda in contemporary life. Among them, were works by Sasha Skochilenko, made while she was still in prison in Russia, Pavel Otdelnov and Nadia Tolokonnikova. One could also read and hear the words of dramatist Zhenya Berkovich and director Svetlana Petriichuk, both still in a Russian prison today. But personally, I was most taken by the works of our guest today: Slava Ptrk

This podcast was recorded on 19 September 2024.

My questions include:

• Tell us about your name, if you would. It’s a pseudonym, but why did you choose to glorify PTRK?
• Tell us about how you came to be a part of The Brainwashing Machine exhibition about propaganda?
• Your works exhibited in the exhibition – did you make them especially for the exhibition ?
• Perhaps your most memorable work in the exhibition is called ‘I am not interested in politics.’ Tell us about it and how it came about.
• You started your professional career as a journalist. Is that why propaganda and its impact are important subjects for you? What were your experiences as a journalist in this regard?
• What served as the impetus for you to become an artist? What were your first steps in this direction.
• What is most for you in expressing yourselMy questions include:
• Tell us about your name, if you would. It’s a pseudonym, I guess,  but why did you choose to glorify PTRK?
• Tell us about how you came to be a part of The Brainwashing Machine exhibition?
• Your works for the exhibition – did you make them especially?
• Perhaps your most memorable work in the exhibition is called ‘I am not interested in politics.’ Tell us about it and how it came about.
• You started your professional career as a journalist. Is that why propaganda and its impact are important subjects for you? What were your experiences as a journalist in this regard?
• What served as the impetus for you to become an artist? What were your first steps as an artist?
• What is most important to you in giving expression to yourself and the surrounding reality in your art? You have said that your chief instrument is irony.
• Another work in The Brainwashing Machine exhibition in London is called ‘Steps’ and next to it is a work titled ‘Ways.’ What do these works represent? How do they relate to propaganda? 
• Looking at your street art, one could guess that Banksy was a strong influence on your work. Is that so,  or did you take inspiration elsewhere?
• Your final work in the London exhibition is called ‘The Sinnerman.’ It is uses a mobile phone screen. How should one understand this work and what, or who, is depicted in it?
• When and why did you decide to leave Russia?
• How does being outside Russia affect your choice of subjects for your current and future work?
• Do you have hopes of returning to Russia?