Sep 25 2024 81 mins 2
What can speculative fiction offer today's movements for collective liberation?
On this panel, assembled to celebrate the launch of The World After Amazon: Stories from Amazon Workers (http://afteramazon.world), four activist writing facilitators share their perspectives: Max Haiven (editor of the collection), Lola Olufemi, Phil Crockett Thomas, Sarah E. Truman, and Jamie Woodcock.
This is a recording of an event that took place on 15 September 2024 at London’s Pelican House.
This event is presented by RiVAL: The ReImagining Value Action Lab, Red Futures and Notes from Below.
Max Haiven is a writer and teacher and Canada Research Chair in the Radical Imagination. His most recent books are Palm Oil: The Grease of Empire (2022) and Revenge Capitalism: The Ghosts of Empire, the Demons of Capital, and the Settling of Unpayable Debts (2020). He is editor of VAGABONDS, a series of short, radical books from Pluto Press. He teaches at Lakehead University, where he directs the ReImagining Value Action Lab (RiVAL).
Lola Olufemi is a black feminist writer and Stuart Hall Foundation researcher from London based in the Centre for Research and Education in Art and Media at the University of Westminster. Her work focuses on the uses of the political imagination and its relationship to cultural production, political demands and futurity. She is author of Feminism Interrupted: Disrupting Power (Pluto Press, 2020), Experiments in Imagining Otherwise (Hajar Press, 2021) and a member of ‘bare minimum’, an interdisciplinary anti-work arts collective.
Phil Crockett Thomas writes fiction and poetry, and teaches sociology and criminology at the University of Stirling. Her research focuses on social harm, justice, and creative and collaborative methods. Her fiction has appeared in Granta and on BBC Radio 4. She is the editor of Abolition Science Fiction (2022) a collection of creative writing by activists and scholars involved in the movement for prison abolition in the U.K, and of The Moon Spins the Dead Prison (2022) with Thomas Abercromby and Rosie Roberts.
Associate Professor Sarah E. Truman is a trans-disciplinary scholar in literary education, cultural studies, and the arts, and co-director the Literary Education Lab at University of Melbourne. From 2022-2025, Dr. Truman is an ARC DECRA Fellow, their project ‘Speculative Futures’ focuses on speculative fiction as an interdisciplinary method for thinking about the world and mode of literary engagement in diverse pedagogical settings (high schools, universities, and interdisciplinary scholarship). Truman is also PI on the ARC Linkage Grant ‘Reading Climate’ (2024-2026) which focuses on the relationship between Indigenous climate fictions, literary education, and climate justice.
Jamie Woodcock is a senior lecturer in digital economy at King’s College London. He is the author of various books, including the recent Star Wars Andor collection. He is an editor of Red Futures, Notes from Below, and Historical Materialism.
On this panel, assembled to celebrate the launch of The World After Amazon: Stories from Amazon Workers (http://afteramazon.world), four activist writing facilitators share their perspectives: Max Haiven (editor of the collection), Lola Olufemi, Phil Crockett Thomas, Sarah E. Truman, and Jamie Woodcock.
This is a recording of an event that took place on 15 September 2024 at London’s Pelican House.
This event is presented by RiVAL: The ReImagining Value Action Lab, Red Futures and Notes from Below.
Max Haiven is a writer and teacher and Canada Research Chair in the Radical Imagination. His most recent books are Palm Oil: The Grease of Empire (2022) and Revenge Capitalism: The Ghosts of Empire, the Demons of Capital, and the Settling of Unpayable Debts (2020). He is editor of VAGABONDS, a series of short, radical books from Pluto Press. He teaches at Lakehead University, where he directs the ReImagining Value Action Lab (RiVAL).
Lola Olufemi is a black feminist writer and Stuart Hall Foundation researcher from London based in the Centre for Research and Education in Art and Media at the University of Westminster. Her work focuses on the uses of the political imagination and its relationship to cultural production, political demands and futurity. She is author of Feminism Interrupted: Disrupting Power (Pluto Press, 2020), Experiments in Imagining Otherwise (Hajar Press, 2021) and a member of ‘bare minimum’, an interdisciplinary anti-work arts collective.
Phil Crockett Thomas writes fiction and poetry, and teaches sociology and criminology at the University of Stirling. Her research focuses on social harm, justice, and creative and collaborative methods. Her fiction has appeared in Granta and on BBC Radio 4. She is the editor of Abolition Science Fiction (2022) a collection of creative writing by activists and scholars involved in the movement for prison abolition in the U.K, and of The Moon Spins the Dead Prison (2022) with Thomas Abercromby and Rosie Roberts.
Associate Professor Sarah E. Truman is a trans-disciplinary scholar in literary education, cultural studies, and the arts, and co-director the Literary Education Lab at University of Melbourne. From 2022-2025, Dr. Truman is an ARC DECRA Fellow, their project ‘Speculative Futures’ focuses on speculative fiction as an interdisciplinary method for thinking about the world and mode of literary engagement in diverse pedagogical settings (high schools, universities, and interdisciplinary scholarship). Truman is also PI on the ARC Linkage Grant ‘Reading Climate’ (2024-2026) which focuses on the relationship between Indigenous climate fictions, literary education, and climate justice.
Jamie Woodcock is a senior lecturer in digital economy at King’s College London. He is the author of various books, including the recent Star Wars Andor collection. He is an editor of Red Futures, Notes from Below, and Historical Materialism.
