[School of Movies 2024]
Nolan-Vember evolves to a whole new stage of the man's career, as following the billion-dollar success of The Dark Knight in 2008 he became a household name. This 2010 film, after The Prestige, just four years earlier garnered a mere $109m at the box office totally flipped the landscape of possibility in cerebral blockbuster cinema.
It netted an astonishing $839m, signalling to Hollywood that here was an auteur who could open a summer movie that wasn't based on comics or toys, wasn't a remake or a sequel, a reboot or a prequel or even an adaptation of a book, a play, a fable a video game or a TV show. This was a standalone tale written by the director himself, and that a huge audience now wanted to be taken to the places they recognised him as capable of taking them, mentally, emotionally, and in terms of how intense Hans Zimmer's BWAAAAAAAAAAAAA got; physically.
But that doesn't mean that this evolution of Christopher Nolan works for Sharon and I. In fact, from this point on he royally cheeses our onions!