In this series of recorded encounters we speak with the participants of Onassis AiR to shed light on their artistic practices and needs, as well as to reflect on ways of being and working together. Today, I am having a conversation with Marta Keil. Marta is a Polish performing arts curator, writer and researcher currently based in Utrecht. Her curatorial and research practice focuses on the potentiality of alternative processes of instituting and on redefining modes of transnational artistic cooperation. Marta is a participant of The School of Infinite Rehearsals Movement VI with a collective research focus on modes of governance through the lens of institutions. In this conversation, we draw from Marta's experience to discuss feminist approaches on instituting otherwise.