Mar 28 2024 36 mins 1
This week I talk to critic Gabriella Geisinger about the representation of Jews onscreen, prompted by several big movies in the past year that provoked debate about authentic casting. I'm talking of course about Maestro, Oppenheimer and Golda. I reached out to Gabriella after reading her insightful article about Bradley Cooper's prosthetic nose and the debate that it, and his casting in the role of Leonard Bernstein, prompted. I wanted her perspective on non-Jewish actors being cast in major stories about real life Jews, and what that says about the status of Jewish actors and the opportunities then available to them when the tasty roles get taken by gentiles. For context, our conversation took place last September before the events in the Middle East the following month. We also talked critic identity and how this naturally evolves in line with the evolution of audiences to embrace and value different perspectives in the critique they seek. Which as you know, I'm all for! Here's the link for Gabriella's article discussed: https://www.msn.com/en-gb/lifestyle/other/bradley-coopers-fake-nose-in-maestro-has-sparked-a-complicated-but-necessary-debate/ar-AA1fobmN #Maestro #Oppenheimer #Golda #TheEyesOfTammyFaye #TheWhale #TheMarvelousMrsMaisel #PunchDrunkLove #TheFabelmans #BradleyCooper #CillianMurphy #AdamSandler #RachelBrosnahan #OscarIsaac
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