Oct 06 2024 85 mins 47
A fascinating and frankly bonkers translation has taken place
Taylor Deupree’s original album Stil., released in 2002 was made with 100% digital techniques with a heavy dose of microsound, layering and looping.
It now exists as something wildly different and yet painstakingly based on that work.
This new iteration is a 100% acoustic version which takes it from Stil. to Sti.ll
This is a rare form of digital to analog conversion and should only be attempted by festidious and slightly insane people!
Sti.ll, released in 2024, is a complete reimagining of Stil., recorded entirely with acoustic instruments, such as clarinets, vibraphones, and cellos, played by live musicians. This new version abandons digital sound manipulation in favor of human performance, where sounds previously made with software are recreated through physical instruments and microphones. The transformations go beyond just switching mediums; the acoustic textures bring warmth and depth, making it an entirely new and distinct experience, while retaining the essence of the original.
Who would attempt such madness?
Taylor Deupree (wiki-ish) is a prolific electronic musician, sound artist, and founder of the record label 12k. Known for his contributions to the microsound and minimalist electronic music movements, Taylor’s work often blends digital and acoustic elements. His music is characterized by its delicate, detailed textures and use of repetition to create slowly evolving soundscapes.
Joe Branciforte (wiki-ish) is a multi-instrumentalist, composer, and Grammy award-winning recording engineer and producer based in New York. He is the founder of the record label Greyfade, which focuses on process-based composition, electronic and acoustic minimalism, and alternative tuning systems. Joe’s expertise spans both electronic and acoustic music, making him adept at bridging these worlds in innovative ways. His work often involves live electronic processing of acoustic instruments, and he has collaborated with renowned artists like Kenneth Kirschner and Theo Bleckmann.
His technical mastery and creative vision were key to bringing Taylor Deupree’s acoustic reimagining of Stil. to life in Sti.ll, where he played an integral role in transcribing and arranging the complex digital compositions for live instrumentation.
So good to chat with these masters about a project of such huge scope.
We discuss this album at length and also Taylor’s collaboration with the late, great Ryuichi Sakamoto
links:
MUSIC from the show:
from the email I received:
Last year Miet Warlop and me (Micha Volders) went to Dhaka, Bangladesh to make a visceral musical performance with young students. It opened the Dhaka Art Summit and we played for a curious Bengali crowd of thousands.
This city is a whole other universe, it’s loud, it’s overcrowded, it’s vibrant. I work on a daily basis with young artists but I rarely experienced this kind of hunger, joy and motivation from these young students.
We rehearsed 3 weeks in a row on this huge ghetto sound system placed middle on the road in the city, to a point where local residents were fed up and sabotaged our (already super shabby) P;A system by cutting all the wires,
It was challenging, it was exciting and it was touching.
So one year later we made a record out of the recordings of this venture : it’s called ICCHĀ ——> check it out here
