Ep.142 Diana Luna of NALIP is Championing Latino Representation in the Arts


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Aug 03 2024 55 mins  

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Why is it crucial for Latino creatives to have proper representation and visibility in the arts? Join us as we welcome Diana Luna, the dynamic executive director of NALIP, who shares her inspiring journey from growing up in Mexico City surrounded by art and culture to becoming a pivotal figure in the U.S. advocating for Latino voices. Diana recounts how her father's passion for arts influenced her career and her relentless drive to fill the representation gap for Latino creatives in the U.S. With an engaging discussion on navigating the creative industry, Diana provides invaluable tips on pricing art, understanding contracts, and leveraging social media for self-promotion.

Our conversation also delves into the challenges faced by studio executives in promoting diverse talent and projects. Diana shares the successes and frustrations within the industry, discussing how critical community and media critic support are for the longevity of diverse content. We celebrate notable projects like "Blue Beetle" and "Flaming Hot," while also addressing the disappointment of canceled shows and the lack of marketing for diverse content. This segment provides insights into how collective efforts can ensure more representation and employment opportunities in media, highlighting the universal relatability and richness of diverse storytelling.

In our final segments, we explore the evolving impact of technology on the entertainment industry, discussing AI and virtual reality's potential to both challenge and enhance creative roles. Diana emphasizes the necessity for Latino creatives to be ready and competitive in this fast-changing landscape. To wrap things up on a lighter note, we dive into a fun "Would You Rather?" game centered around food preferences and cultural tastes, revealing our love for dishes like pozole verde de pollo and tamales. Follow NALIP on Instagram at Naliporg and stay tuned for more exciting updates and events.

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