Nov 01 2022 14 mins 1
This podcast is part of the Bodily Transgressions in Fantastika Media Symposium.
Join the discussion on discord (https://discord.gg/zsMTBcnTcC) or on our Round Table Discussions on 12 November 2022 (https://us06web.zoom.us/j/84956184046). See www.fantastikajournal.com for details
Background music by scottholmesmusic.com
Podcast by: Rebecca Gault
‘I Hunger. It Consumes Me’:
Hunger and Desire as Feminine Affliction
Content Warning: discussion of cannibalism, disordered eating, food, flesh, murder, gore.
Eve took the apple from the tree and humanity was doomed to fall from Eden. Persephone ate the pomegranate seeds and so, the winter came to ravage her mother’s work. Hunger is a feminine affliction. There has been a surge in theory about the female body and the meanings inscribed upon it, from Atwood to Ellmann, and yet these theories remain rather squarely in the field of the real. When women’s bodies – and indeed their hungers – are placed into a fantastical setting to allow for exaggeration and extremes, what does this do to the politics behind it? In examining figures such as the female werewolf, the female cosmic force, and the female cannibal, this paper seeks to explore the ways in which fantastika allows for female hunger to transcend conventional boundaries and allow for excessive consumption in ways that become both freeing and horrific. The discussion of female werewolves will centre the hunger and desire for freedom through bestial natures and the idea of letting go of humanity to fulfil this freedom. This leads into a discussion of elevation of the human into the deific and the cosmic hunger exhibited by Marvel’s Phoenix Force and her subsequent consumption of entire stars as an emotional need going unfulfilled, ultimately leading into a final discussion of the most transgressive type of feeding of them all; that of the female cannibal who consumes human flesh as an act of rebellion and horror. By utilising Barbara Creed’s theory of the monstrous-feminine and sociological frameworks of women’s relationship with both food and hunger, this paper will seek to analyse and examine exactly what is transgressive about female hunger and how fantastika seeks to elevate this phenomenon in such a way that it becomes a significant commentary on femininity and its intersection with desire.
About the Author: Rebecca Gault is an early-career academic from Glasgow, Scotland. She has a MA in English Literature from the University of Glasgow and is a current MLitt student on the Fantasy Literature program at the University of Glasgow. Her research interests include monstrosity, gender and sexuality studies, and modes of fantasy.
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