Mar 12 2025 59 mins
Ever wonder how those vampires on Buffy turned to dust? Or how Barry Allen's lightning trails look so convincing on The Flash? Dave Funston has been behind it all.
From humble beginnings making Mortal Kombat-inspired flip books to becoming an Emmy-nominated visual effects supervisor, Dave's 25-year journey through Hollywood's "golden age" of television VFX reveals the magic and mayhem that happens when creativity meets impossible deadlines.
Dave pulls back the curtain on his remarkable career, from his first big break on Jay and Silent Bob Strike Back to developing the iconic vampire dusting effects for Buffy and Angel, creating Trueblood's memorable fang transformations, and orchestrating complex sequences for The Flash. His stories highlight how television VFX teams innovate under constraint, often accomplishing in days what feature films might take months to perfect.
One particularly harrowing tale involves a Van Helsing sequence featuring 18 vampires simultaneously disintegrating – a single shot that consumed four months of painstaking work. Dave explains how VFX artists often resorted to "brute force" solutions before modern tools existed, manually rotoscoping and animating elements frame by frame.
For filmmakers working with visual effects, Dave offers invaluable advice about planning, communication, and the critical importance of involving VFX professionals early in production. As he looks to the future, he shares thoughtful perspectives on how AI might transform aspects of VFX production while maintaining that the human element of storytelling cannot be replaced.
Whether you're a filmmaker looking to incorporate visual effects into your next project or simply a fan curious about how your favorite supernatural shows come to life, this conversation offers fascinating insights into the artistry and problem-solving behind the screen magic we often take for granted. Subscribe to VFX for Indies for more episodes exploring the intersection of visual effects and independent filmmaking.
Hosted by Foxtrot X-Ray’s founder and “chief pixel pusher” Paul DeNigris, who brings to the conversation 30 years of experience in both independent filmmaking and visual effects, as well as 20 years of experience in teaching all aspects of digital filmmaking at the university level.
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