Bleav in The Comedy Bureau Field Report

We get to brass tacks about the state of musical comedy with one of the best musical comedians working today, Luke Null.

Tiffany Kimmel is almost singular in how she envisions her short films, puppets, live shows, and so much more (as well as connecting all sorts of folks from all those aforementioned corners together). We talk to her all about how exactly she pulls that off.

The long overdue time for a proper hour special from the one and only James Adomian has come to pass. We talk all things "Path of Most Resistance" with James (as well as the biz and his favorite dream).

The wonderful Danny Jolles returns to the TCB Field Report to wax deeply about the craft and execution of stand up comedy (including an in-depth discussion on the credits in your intro to stage).

Caroline Hirsch, the founder of both Caroline's on Broadway and NYCF, joins us to share how she made both of those long standing comedy institutions happen from the ground up.

Michael Blieden, the director of Comedians of Comedy and Zach Galifianakis: Live at the Purple Onion and, now, the producer/DP of a highly anticipated Mitch Hedberg doc, goes deep with us into wondering at the craft of jokes.

One of LA comedy's most revered comedy producers, Joel Mandelkorn, returns to the TCB Field Report to dissect the center of a comedy scene and what that has meant and what it might be in the future of comedy coming very soon.

We talk to the very funny Chris Laker about what he's really getting at with calling his latest hour "Toiling in Obscurity" on this week's TCB Field Report.

On this week's TCB Field Report, we get into the inner workings of Open Screen LA, one of the most egalitarian open mics around (and they probably wouldn't want us to say that either since they're so egalitarian).

Once 800 Pound Gorilla Records, now international media company 800 Pound Gorilla Media has grown by leaps and bounds over the last few years as a comedy force to be reckoned with and we talk to their very own Ryan Bitzer and Ian Adkins about how they exactly did that.