Mixing Light Interview Series

Full episode notes and links: https://mixinglight.com/color-grading-tutorials/color-grading-interview-daniel-stonehouse-crayon/====Experienced colorist Daniel Stonehouse owns and co-founded the boutique color grading studio Crayon in Melbourne, Australia. Throughout my detailed conversation with Dan, he shares a wealth of experience and practical insight on the art, craft, and busi

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/career-advice-for-colorists-from-aurora-shannon-company-3/====Aurora Shannon, colorist at Company 3 Vancouver, is known for her impressive work on popular shows, including Sweet Magnolia and Under the Bridge. Aurora’s career journ

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/interview-bryn-interview-virtual-production/Content like this is made possible by Mixing Light subscribers on MixingLight.com. You can support our work for as little as $4.58 per month (paid annually): https://mixinglight.com/member

Accelerate your post-production career at https://mixinglight.com====I’m excited to share my interview with Ferg Rotherham. He’s a senior colourist and his credits include “The Pope’s Exorcist”, “Heartbreak High”, and “Boy Swallows Universe.”We discuss his journey in the industry and the mentors who have shaped his career. Fergus also talks about his transition in

Accelerate your post-production career at https://mixinglight.com= = = =Today, I talked to Hootan Haghshenas, CSI. He’s a senior colourist with extensive credits, including the Oscar-Winner “The Salesman”, plus many feature films, music videos, and documentaries. His clients include Netflix, Disney, National Geographic, and more.He studied cinematography at the Art University

Accelerate your career at https://mixinglight.com= = = =Today, I talked to Peter Postma – Managing Director, Americas at FilmLight. Formerly at Kodak and a graduate of the Rochester Institute of Technology. He was a part of the team that deployed the first hardware that could apply a LUT in real-time and was on the committee that developed the CDL. He’s also active in the devel

This is a MixingLight.com subscriber-supported podcast. Accelerate your career!= = = =Today, I talk with Christian Ganea Reitmeier, a Quebec-based VFX Colorist at DNEG. He shares what he’s learned solving creative and technical challenges for some of Hollywood’s biggest movies and shows. Just a few of his credits are:- Oppenheimer- Dune- Uncharted- Tenet- Ghostbusters: Afterlif

Melbourne-based Colourist CJ Dobson, CSI shares how her recently opened colour facility, Mood Labs Film Looks, offers her clients new solutions to old workflow problems. We discuss CJ’s journey from being ‘queen of the conform’ at Digital Pictures to freelancing for a decade to becoming a business owner, some of the unique future-facing services Mood Labs offers, and the chal

If you want to talk to someone about the craft and business of being a professional dailies colourist, there aren’t many people with his experience you can chat with. Topics in this discussion include:The importance of dailiesWhere do dailies fit within the overall production, and who in the production should ‘own’ dailies?The different workflows of LUTs, CDLs, and BLG colour

We're happy to introduce our newest Contributor, colorist Kali Bateman CSI. She's relaunching our interview series, starting with Vincent Taylor CSI. They discuss being a globetrotting colorist, moving from short form to long form, switching color grading platforms from job to job, and Vincent's work color grading Tiger King Season 2.Find more links at this episodes homepage: https