Mar 02 2025 69 mins 1
In episode five of our Visionary Remakes season, we dissect the original The Fly from 1958 as well as David Cronenberg's bombastic remake from 1986.
Special Guest: Daniel Malone - Host of the great You Talkin' to Me? podcast where Daniel watches classic films with his son for the first time. Check it out!
The impetus of this season was to explore how remakes can add, take away, or supercede the original. Of course, all remakes add to the discourse of the original, and it is not some arbitrary competition. But the intention to remake is in some sense always competitive. A producer, writer, and/or director wants to retell a story in a different way, presuming the original will no longer do. Often this desire is imprudent but The Fly is a great example of how that impulse can lead to something much deeper and richer than the original execution.
The Fly (1958) is certainly not a bad film. It was an elevated B-movie for its time, shot in beautiful CinemaScope. Vincent Price dutifully shows up, and a couple scenes became iconic (both fly head reveals). When compared to David Cronenberg's masterpiece from 1986, the original suddenly feels quite quaint and slight, a time capsule curiosity rather than groundbreaking film. Cronenberg's The Fly is perhaps the paradigm of taking an interesting idea and expanding it into something much more and much better. The remake also demonstrates that an idea or concept is just the foundation of a film. The true totality of a movie is the collective creative action of hundreds of people. When it all gels, we get something special and magical.
