Crossings: The EWF Podcast

Episode 5: The (Im)Permanence of Punk. Kurt Eckardt & daniel ward. EWF are thrilled to share this final conversation of Crossings, between Kurt Eckardt and daniel ward. Kurt Eckardt works as Marketing and Events Manager at PBS in Naarm, and has recently worked in freelance music publicity, social media management and strategy, event booking and production, and as host of local musi

EPISODE 4: BEING ALONE & TALKING TO PEOPLE. Rebecca Kelly & Misbah Wolf. Today EWF are stoked to share a conversation between poets Rebecca Kelly and Misbah Wolf. Rebecca Kelly is a poet from the waters of Darkinjung Country, currently situated on Wurundjeri Country. Presently, her work is fuelled by questions of class, being, identity and psyche. Misbah Wolf is a Naarm based poet,

Today EWF are delighted to share a conversation between Peggy Frew and Mark Hewitt. Peggy Frew’s work has been shortlisted for the Stella Prize and the Miles Franklin Literary Award, longlisted for the International Dublin Literary Award, and the winner of the Barbara Jefferis Award. Peggy is a member of the critically acclaimed and award-winning Melbourne band Art of Fighting. W

Episode 2: ASSERTING COMPLEXITY. Vivian Nguyen & Jamie Tram Asian Australian playwright and actor Vivian Nguyen brings a wealth of stage experience. Her debut 'Thin Threads' was shortlisted for the Patrick White Playwrights Award and 'Bugged' was published in ATYP’s National Studio. Her plays 'Politics Aside' and 'a moment to love' debuted to acclaim at Melbourne Fringe, and was

Crossings is EWF's new podcast series of in-conversations between local writers & artists. Each episode pairs two artists whose practices exist at the threshold of one another. These free-flowing, intimate conversations are coloured by curiosity, attentiveness and enquiry. Hear novelists, poets, playwrights, screenwriters, publishers, musicians, architects and photographers proffer

In this pre-recorded audio segment, two poets share and discuss their recent work. Weaving language, labour and spirit, they expose the intersections and splinters that arise when two perspectives are made to share the same space.

In writing, we are so often worried about getting from A to B – whether that is moving the narrator or character from one place to another, getting dialog from one character to another, or information from the narrator to the reader – we often forget about the spaces that surround ourselves, our words, our ideas, and our readers. These spaces have shapes, sounds, vibrations, fe

In writing, we are so often worried about getting from A to B – whether that is moving the narrator or character from one place to another, getting dialog from one character to another, or information from the narrator to the reader – we often forget about the spaces that surround ourselves, our words, our ideas, and our readers. These spaces have shapes, sounds, vibrations, fe

In writing, we are so often worried about getting from A to B – whether that is moving the narrator or character from one place to another, getting dialog from one character to another, or information from the narrator to the reader – we often forget about the spaces that surround ourselves, our words, our ideas, and our readers. These spaces have shapes, sounds, vibrations, fe

In writing, we are so often worried about getting from A to B – whether that is moving the narrator or character from one place to another, getting dialog from one character to another, or information from the narrator to the reader – we often forget about the spaces that surround ourselves, our words, our ideas, and our readers. These spaces have shapes, sounds, vibrations, fe