Cosmic America

Our last review in the Steely Dan catalogue finds us in 2003, as we evaluate "Everything Must Go". There are some good moments, for sure! But there's also some questions. While Two Against Nature succeeded modernizing both the jazz sound and the lyrical inspirations of the classic Steely Dan formula, Everything Must Go comes up a bit short in both. It's absolutely not a bad album,

After the surprise live show reunion of the mid-1990s, it felt like only a matter of time before Steely Dan were reconstituted as a studio act. And while it would take until 2000 for that to actually come to fruition, the result ended up being...pretty good, all things considered! It's definitely a DIFFERENT Steely Dan from where we left them in 1980, but the fans who followed the

The pause in the Steely Dan creative partnership had quietly eroded in the late 80s and early 90s, with Becker playing a key role in Fagen's second solo album. Fagen returned the favor on Becker's first solo album, which served as a prelude for the first Steely Dan tour in nearly 20 years.Becker's 11 Tracks of Whack gets the review treatment here, and ends up being one of the most

As you know by now, Steely Dan's core identity is the songwriting and performative partnership of Fagen & Becker. And with the group's dissolution in the early 1980s, the partners would occasionally step out on their own and create art under their own name. With Becker abandoning the continent and seeking sobriety and a general life reset after Gaucho, it was left to Fagen to make

The 80's have arrived in Steely Dan land, and all is not well. After the stratospheric success of Aja on the artistic and commercial stages, Becker & Fagen returned to New York and started work on their next album. But it ended up being a tortuous recording process, full of the kinda of troubles and difficulties that can produce both great art and great loss. And we got lots of tho

Most artists or musical groups have a "pinnacle" album --- one where they demonstrate conclusively their talent, their genius, their modus operandi. Aja is that album for Steely Dan --- a brilliant mix of music, lyrics, production, and performance that elevates many of the core elements of their sound to a higher plane. Aja is a fascinating album because of how Steely Dan manages t

The mid-70s are in full swing, and the contemporary malaise is starting to seep into pop music more and more. Keen cultural observers Becker and Fagen are right there to document the troubles, and we get to hear a lot of those observations in the lyrics of The Royal Scam. We also hear some decidedly evolutionary changes in the music --- the influences of disco and hard rock start t

Steely Dan has fully morphed into a studio-only operation at this phase --- the last tour of of the 70s ended in mid-1974, and Becker and Fagen had disbanded the permanent membership (except for themselves), opting instead for an alchemy of the best session players in Los Angeles. They also continued to sharpen their writing skills both lyrically and musically, adding even more aci

We're back after an unexplained hiatus, talking in-depth about a pivotal album in Steely Dan history, the 1974 classic "Pretzel Logic". As Becker & Fagen's vision for the band mutates into a largely studio-based operation, their conceptualization of songs and the way the music is recorded starts to change. This album introduces more sophisticated song structures, clearer recording

Sophomore albums are often a mixed bag, as musical artists grapple with the shock of going pro, the exhaustion of their initial written material, and the need to come up with new ideas while in a constant state of touring to support their first album. Steely Dan were no different, but unlike many groups who have wilted under the pressure, the band arguably puts forward a stronger e