How Good It Is

This is an episode I wrote in the Southern Studio, so I may have been in a better mood than usual to write it than I ordinarily am, given the subject matter. When Blue Öyster Cult first got together, they were a college band from Stony Brook, New York. That's not far from where I grew up. Oddly, none of the band's original members are from Long Island. Two of them grew up in New

By 1968, Glen Campbell had moved from session musician to a star in his own right. His single "By the Time I Get to Phoenix," written by Jimmy Webb, was a huge hit for him. So when Campbell decided he needed another song, he turned back to Webb and asked him for another song. For whatever reason, he asked Webb to make it a song about a specific location. Webb, at that time, was in

Merry Christmas to those who celebrate! Today we're looking at three Christmas songs that are born from the anxieties of World War Two. Two of the songs aren't direct references to the war itself, but it clearly informed the subject. Themes of separation and loneliness emerge, and a sense of nostalgia is present throughout. Interestingly, one of the songs was so dark that the lyr

...before we were so rudely interrupted... This is a song that I'm long-overdue in covering, if only because of the backstory it has. It's simultaneously heart-warming and heart-breaking. It's a love letter from lyricist Doc Pomus to his wife. That's not unusual, of course. Many songwriters compose songs dedicated to a loved one. But this one has an extra special twist to it. I sh

How many times now have I gone into the backstory with a song and learned that the person who wrote it says something akin to, "Yeah, I knocked that one off in about fifteen minutes." Oftentimes they also think that the song isn't going to amount to very much, which I find kind of funny. But it also supports a working theory I have that it's not always the song itself, but the way

I don't often play favorites on this show; in fact there have been a couple of songs I genuinely disliked, but I covered them anyway because the story behind them was kind of interesting. And I think you'd be hard-pressed to identify those songs, because I do try to be even-handed. However. I am going to take the time to gush about "Tiny Dancer" just a little bit, because it's on

The Association was a band that just kind of floundered for awhile. First in was in their early years when they were known as simply The Men, then, in 1966 after their first album did well, the second one did...not so much. Bones Howe Part of the problem, it seemed, is that the band members playing their own instruments was mostly not a good idea. So for their third album, Warner

One of my favorite titles for an album comes from The Animals. They did a bunch of albums up to 1969, then for a year or two there were a couple of compilation albums after they broke up. But in 1977 the Animals reunited and released a new album, titled Before We Were So Rudely Interrupted. I don't know what made me think of that. Anyway. (heh.) This was one of those episodes whe

I think that by now the Monkees have overcome their epithet of "Prefab Four," which I suppose was clever but not especially accurate. At least three of the Monkees were musicians who could act. I'd argue that Micky Dolenz was an actor who could play music. (More on that below.) Having said that, however, he's got one of the best voices of the rock and roll era, so my label comes fr

You might remember a few episodes back when I teamed up with Mike Messner. He's the host of the Gordon Lightfoot appreciation podcast Carefree Highway Revisited. Well, Mike is back, and this time around we're talking about Lightfoot's first big American hit, "If You Could Read My Mind." I actually went looking around for the album that I'd first heard this song on, and it turned o