Darmstadt On Air

In episode #26 Peter Meanwell (tutor of the seminar “Words On Music” this summer) interviewed Xwélmexw (Stó:lō/Skwah) artist, curator and writer Dylan Robinson about his book “Hungry Listening: Resonant Theory for Indigenous Sound Studies”. Published by University of Minnesota Press in 2020 “Hungry Listening“ presents an excoriating critique of colonial assimilation

In the Darmstadt On Air podcast tutors of the Darmstadt Summer Course talk to a person of their choice and this time they start their conversation from a particular piece of music, a book, a piece of art, a performance, recording etc. In episode #25 Danish accordionist Andreas Borregaard talks with his compatriot composer Niels Rønsholdt about "Until Nothing Left", a solo piece fo

We are beginning a new season of the Darmstadt On Air podcast: Darmstadt Summer Course tutors talk to a person of their choice and this time they start their conversation from a particular piece of music, a book, a piece of art, a performance, recording etc. In episode #24 Kate Molleson (tutor of the seminar "Words On Music" this summer) interviewed composer Cassandra Miller about

Kate Molleson in conversation with Rebecca Saunders Interview with Christian Dierstein and Dirk Rothbrust on Rebecca Saunders' piece "dust": https://internationales-musikinstitut.de/ferienkurse/dossiers/dust More about Rebecca Saunders: https://www.rebeccasaunders.net/biography-detailed More about Kate Molleson: http://katemolleson.com/about

Episode number 22 of Darmstadt On Air presents a conversation between choreographer and director Vera Tussing and composer Michael Picknett. They talk about the intersection between composing and choreographing using devising techniques. They specifically refer to one of their latest collaborations – Tactile Quartet(s) –, a dance performance that was realized in collaboration w

One of the central themes of this year’s Darmstadt festival is artistic collaboration and collective creativity. We are interested in how collaborative processes work, especially in the field of musical creation, where we still have a strong concept of authorship, division of labour between composers and performers, but on the other hand collaboration is fundamental for big parts

For the 20th episode of Darmstadt On Air, we will hear an interview with composer Alvin Singleton, conducted by historical musicologist Harald Kisiedu and composer George Lewis on July 19 2021. In 1972, Singleton’s work Argoru II for cello was the first ever to be performed by a Black composer at the Darmstadt Summer Course. Two years later, his Be Natural for three string instru

For the 19th episode of Darmstadt On Air, two composers have picked music that they like and find beautiful. Starting with one moment from each other’s oeuvre, Hans Thomalla and Katherine Young discuss music by the Roscoe Mitchell Sextet, by Carola Bauckholt and by Michelle Lou. And they also ask what makes beautiful moments, as did Theodor W. Adorno in his radio essay from 1965

Tunnels and threads between concept and performance, the pleasure of hanging out in the world of the initial idea, collective decision making processes: In episode 18 of Darmstadt On Air we are listening to a conversation between composers Malin Bång and Juliana Hodkinson. Malin will be composition tutor at the next Darmstadt Summer Course, Juliana was in 2018. The two artists met

Episode 17 of Darmstadt On Air is about political activism in music. It is hosted by Peter Meanwell, music journalist and artistic director of Borealis, a festival for experimental music that takes place every year in Bergen, Norway. This year, you can experience the festival online from March 17 to March 21. Peter talks to Marshall Trammell who is invited as Borealis' artist in re