Making a Mark

The tenth episode of Making a Mark explores Jim Dine’s (b. 1935) lifelong relationship with hand-tools. Tools have been a constant for the artist, not only as implements used to mark his plates and blocks, but also as ‘objects of desire,’ appearing as subject matter in his art for over six decades. We meet Jim Dine in his studio in Paris, where he discusses the first print

This episode of Making a Mark explores works on paper by Ian Davenport (b.1966), one of Britain’s foremost contemporary artists whose practice delves into the realms of colour, process and materiality. We meet Davenport, well known for his abstract paintings, in his studio in South London to find out more about what inspires him, from art history to contemporary music, and how

This episode of Making a Mark explores the work of Clare Woods (b. 1972), the connections between the artist's life and ever evolving practice, which has expanded from painting to prints and collage. We meet Woods in her vast studio where she has recently installed a printing press. Woods discusses the physicality of her practice; the tension, trauma and conflict that runs through

This episode of Making a Mark explores the printmaking practice of Yinka Shonibare CBE (b. 1962), a globally celebrated artist whose work examines race, class, and constructions of cultural identity. We meet Shonibare in his busy East London studio, surrounded by his prints and rolls upon rolls of Batik fabric, a symbolic and distinct feature of the artist’s work. Listen in as S

The sixth episode of Making a Mark explores the life and work of one of Britain’s most important living artists, Joe Tilson (b. 1928), and the continued centrality of printmaking to his practice. As a lifelong dedicated and subversive printmaker, we meet Tilson in his London studio on the eve of his 94th birthday, to discuss the preoccupations, inspirations, philosophy, and meth

The fifth episode of Making a Mark explores the graphic work of Michael Craig-Martin (b. 1941), one of the best-known artists of his generation. Today his brightly coloured works of everyday objects, from mass-produced consumer goods to fruit and flowers, are easily identified by viewers the world over. We meet Craig-Martin in his home to discuss his iconic work. He speaks about

The latest episode of Making a Mark explores the graphic work of Cornelia Parker. Widely celebrated for her immersive installations that have become a significant part of Britain’s cultural landscape, this episode explores the artist’s printmaking, a medium that has been at the forefront of her practice for the past several years. Follow Parker and master printer Pete Kosowi

The latest episode of Making a Mark explores the work of Christiane Baumgartner (b. 1967), a ground-breaking artist who has achieved international critical acclaim for her printmaking, choosing to adopt the earliest form of the medium, the woodcut, as her primary means of expression. Curator and director at Cristea Roberts Gallery, Helen Waters, talks to Baumgartner about her form

The latest episode of Making a Mark explores the graphic work of Dame Paula Rego RA (b. 1935), one of the most important figurative artists of her generation, who places women’s lives and stories at the centre of her work. Curator and Associate Director at Cristea Roberts Gallery, Sophie Lindo, discusses Rego’s profound and ground-breaking body of work. We hear from Rego, who

The first episode of Making a Mark explores the work of Richard Hamilton (1922 - 2011), the founding father of Pop Art in Britain and one of the most influential artists of his generation. Michael Bracewell, cultural critic and writer and the author of Modern World: The Art of Richard Hamilton, and gallerist and art dealer Alan Cristea, who worked with Hamilton for 35 years, discus