AMPS Podcast

"I took a day to record a chainsaw in the middle of the Kent countryside" ..... In this episode Martyn Harries (@martynthemixer) talks all things gore with the Supervising Sound Editor Ryan Hatton (@ryanhattonn) and the Re-Recording mixer Rob Ackerman (@ackerman.rob) behind Winnie-the-Pooh: Blood and Honey 2 This episode is sponsored by URSA Straps https://ursastraps.com/

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, Sound Designer / Supervising Sound Editor Richard King talk to Ian Haydn Smith about the role of sound on OPPENHEIMER. The podcast discusses working with director Christopher Nolan and creating the sound for the Trinity explosion.

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, Production Sound Mixer Chris Munro and Supervising Sound Editor James Mather talk to Luke Reed AMPS about their work on the sound for MISSION IMPOSSIBLE: DEAD RECKONING. The podcast discusses working with star and producer Tom Cruise and the challenges of producing sound on huge stunts.

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards Production Sound Mixer Nina Rice AMPS and Sound Designer and Supervising Sound Editor Dan Kenyon talk to Martyn Harries AMPS about their work on the sound for BARBIE. The podcast discusses working with Director Greta Gerwig, collaborating with teams across production, and the challenges of working in the

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards Production Sound Mixer Tarn Willers AMPS and Re-recording mixer, Sound Designer, Supervising Sound Editor Johnnie Burn AMPS talk to Ian Haydn Smith about their work on the sound for THE ZONE OF INTEREST. The podcast discusses working with director Jonathan Glazer, the research that went into recreating t

In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, supervising Sound Editor Nina Hartstone AMPS and Re-recording Mixer Adam Scrivener talk to Martyn Harries AMPS about their work on the sound for SALTBURN. The podcast discusses working with director Emerald Fennell, how to work with comic timings, and using sound design to create the journey of the cent

Martyn Harries talks with James Parnell, Supervising Sound Editor and Re-recording Mixer about his work bringing Twisted Metal, an exciting, action packed, award winning playstation game adaptation to our screens, his career in both London and LA and much, much more. Our very own Rob Walker gets a mention and James has advice for those starting out in the industry.

For this Episode AMPS Council member Martyn Harries talks to Peter Albrechtsen about his Sound Design for Evil Dead Rise - the latest instalment in the Evil Dead film series (in Cinemas now)

Kate Davis and Andrew Wilson are joined by the sound team for All Quiet on the Western Front - winner of the 10th AMPS Award for Film Sound. They share all kinds of insights on their collaborative and creative process for the films' soundtrack.

We are joined by Paul Isaacs and Gary Trenda - wireless technology experts at Sound Devices - who tell us all about the latest developments in the Sound Devices wireless range. Prod. Sound Mixer John Rodda is also with us to provide his professional insight as a Sound Devices user with decades of experience in the field. www.sounddevices.com https://www.sounddevices.com/spectraband