They Must Be Destroyed On Sight!

Lee finally gets around to doing a follow-up to the very first episode of Blood on the Tracks: music from 1970s crime and thriller films. Lee was short for time this month, so that equals less talking from him and much more music. It's a win-win! --Suite from "Darker than Amber" (1970) --John Parker--Theme from The Anderson Tapes from "The Anderson Tapes" (1971) --Quincy Jones--Tax

There is no regular episode this time out, yet again, but Lee had time to talk about two films he screened for friends a couple of days previous to recording; those being Joe Dante's "The Howling (1981) & the Bruce Pittman-directed, in-name-only sequel to "Prom Night", "Hello Mary Lou: Prom Night II" (1987). Featured Music: "Kiss of Death" by Issac Rother & The Phantoms, an

In this episode Lee and Leah tackle an animated feature: the often funny, but ultimately pretty heavy and harrowing "Persepolis" (2007). This film, written and directed by Marjane Satrapi & Vincent Paronnaud, adapts Satrapi's striking graphic novel about her life growing up in Iran, and later France, in the wake of the Iranian Revolution. The hosts also talk about what they've

So far it's been slow going for April on the podcast, so Lee decided to do a quick intermission episode covering his thoughts on three Italian genre films he recently screened for friends, and the new "Fallout" tv show that is now on Amazon Prime. Featured Music: "Sabata Theme #1" by Marcello Giombini & "My Name" by Bruno Nicolai.

Lee is back this month with a mix of music selections from Italian action films from the 1980s. There's some superhero antics, some comedic slapstick action, late period poliziotteschi, and items that fall under the "macaroni combat" moniker. The list is both light and breezy, and in some cases, maybe a bit tight and sleazy. Enjoy! --Seq. 2 & Seq. 10 from "Speed Driver" (1980)

Lee and Leah are joined in this episode by returning guest Robby Roberson, and new guest Wick, to cover a film Robby has wanted to get on the show for a while now, Stephen Frears "The Grifters" (1990). This neo noir starring John Cusack, Anjelica Huston, and Annette Bening takes some surprising twist and turns, and leads to a fun conversation. Also, the host talk about what they've

TMBDOS! is back after a month off. Lee is joined by OG co-host Daniel Harper to cover Billy Wilder's "Ace in the Hole" (1951), starring Kirk Douglas. Sensationalist journalism; exploiting tragedy; mixing noir with the "human interest story", and much more is talked about. The hosts also cover what they've watched recently, including a dunking-on of "Oppenheimer". "Ace in the Hole"

Lee's back this month to cover more score/soundtrack selections from vanity projects. That's right - those special films made by special people with a special vision. Who cares if the films are actually good or not? These (mostly) outsider artists shot their shot, and in Lee's opinion, art is usually better for it. --One Tin Soldier from "Billy Jack" (1971) --Coven--Main Title Them

Lee is joined by friend and fellow podcaster Vaughn Kuhlmeier to talk about two early examples of what would come to be known as the Hixploitation genre, those being Russ Meyer's "Mudhoney" (1965), and Jerry Gross' "Girl on a Chain Gang (1966). Much of the conversation revolves around how both films contain the elements that the subgenre would build off of later on in the 1970s esp

This month Lee takes a look at selections from the scores from two notable 1970s Samurai exploitation film series, "Hanzo the Razor" & "Lone Wolf and Cub". Although a lot of traditional Japanese musical elements were used, more often than not, convention was thrown out the window. Fuzzed-out electric rock, jazz & funk all show up to spice-up these more Grindhouse-esque film