OperaVision

This month, we’re back at Oper Frankfurt following up with our four young artists, where juggling roles and dealing with vocal fatigue are part of life at the height of a busy season. Our singers share stories of setting boundaries, juggling repertoire, and how sometimes saying no is essential to protecting both vocal and mental health. Featuring sopranos Nombulelo Yende and Clar

In an industry where self-doubt can be paralysing, Opera for Peace Ambassador and soprano Ailyn Perez shares her techniques for helping emerging artists to trust their voices, how to navigate away from the feeling of continually being judged, and she acknowledges her own vulnerability when approaching a new piece – a reminder that even those at the pinnacle of their careers exper

With its extensive international travel, sets and costumes created for individual productions, many of which are then disposed of, opera does not have a reputation for being particularly green. However, companies and individuals are now making great strides towards sustainability in the face of the climate crisis and are continuing to find ways to make spaces and performances mor

For many artists there are barriers that go much deeper than the gender binary, but how can we ensure people of every gender have real access and are genuinely welcomed in the opera world? Trailblazing American baritone Lucia Lucas reveals the highs and lows of inhabiting a role close to her heart; Lili Elbe at the Theater St. Gallen, about the eponymous painter who was the first

‘Classical opera has a racism problem’ ran a headline in the New York Times in 2019, one of many articles in recent years to discuss the subject. Racism is high on the list of issues the opera world is looking to tackle, and in this episode we’re joined by two artists from different sides of the Atlantic, exploring how they are striving to create a

‘Is opera the most misogynistic art form?’ asked Charlotte Higgins in The Guardian back in 2016, noting that the genre itself seems to devour women. In Classical Music Magazine in 2020, Becca Marriott argued that ‘Sexism is preventing women from forging a career in opera’. Over the course of the next episodes, we are looking at how voices in opera are calling for change t

Opera has long been accused of elitism, racism and misogyny, and over the course of the next few episodes we are looking at how voices in opera are calling for change to make it better for all our young artists. We begin by looking at the representation of Asian culture on the operatic stage, and investigate the lived experience of artists who are striving to make the opera world

This month, OperaVision is back in Paris at Opera for Peace’s second academy, with our expert the soprano Sumi Jo sharing her warm yet strict approach to working with emerging artists, and giving us tips on sustaining a long and healthy career. Meanwhile we explore what it means to come to opera later in life with tenor Raùl Guttierrez, and the importance of protecting your v

OperaVision heads to the Palau de les Arts and their Centre de Perfeccionament in Valencia, where two of our young artists talk about the challenge of balancing outside opportunities with in-house commitments, the realisation that insecurities as an artist happen at every level, and the difference between being treated like a young artist and a young professional. View the

This month, OperaVision takes you along the Adriatic Coast to the Rossini Opera Festival’s Accademia Rossiniana’s ‘Alberto Zedda’ in Pesaro. Three young artists negotiate their way through the packed auditions, develop their Rossini style and technique, and find ways to make roles truly their own. We learn what they are discovering from their Ma