The Opera Glasses Podcast

Join us for an enchanting encounter with Arianna Maubach, the mezzo-soprano sensation who captured hearts and won accolades at the Canadian Opera Company's Center Stage Competition. Arianna takes us on a fascinating journey from her beginnings in a non-musical family to her discovery of a love for singing with the Toronto Children's Chorus. Despite having family in law and entrepre

Join us for a heartfelt episode of the Opera Glasses podcast as Elizabeth Bowman hosts her final show and introduces the new Editorial Director of Opera Canada, Michael Jones. With an impressive career spanning from Choirs Ontario to the Saskatchewan Arts Board, Michael shares how his first live opera experience with Britten's “Death in Venice” ignited a lifelong passion. We di

Banff Centre for Arts and Creativity is presenting a reimagined take on Poul Ruders's The Handmaid's Tale, a work-in-progress based on Margaret Atwood’s sobering novel. Composer Dan Scholsberg was commissioned to arrange the work for chamber ensemble using different technologies to evoke Gilead. The hope is for this arrangement to be used by more arts companies across the globe.O

Prepare to be captivated as the extraordinary Irish-Canadian mezzo-soprano Wallis Giunta graces our podcast. She makes her Carnegie Hall debut tonight singing Christian Muthspiel’s brand-new arrangement of Kurt Weill 's The Seven Deadly Sins. Wallis, a mother and a luminary on the international opera stage, dives deep into how she successfully balances her career and motherhood.

Greek-Canadian soprano Soula Parassidis joins us on The Opera Glasses podcast to talk about her organization, Living Opera, her Canadian debut in Montreal, and the international opera scene. Soula, the driving force behind Living Opera, talks about how it all began—spoiler alert: the catalyst was her husband and Living Opera partner, Norman Reinhardt's journey overcoming performa

Embark on a riveting journey with The Opera Glasses Podcast as we host the magnificent Canadian baritone Elliot Madore, who opens up about the nuances of embodying roles in both contemporary and time-honoured operas. Elliot unveils the behind-the-scenes magic of collaborating with composer Matthew Aucoin for his role in Eurydice (Boston Lyric Opera) and contrasts this with his most

Canadian soprano Simone Osborne graces the Opera Glasses podcast - currently starring in Calgary Opera’s The Elixir of Love, Feb 3 - 9, 2024. We talk about how she expertly balances career and family life. Simone offers a rare glimpse into her craft and the supportive network that helps her excel both on stage and at home. After Calgary, she will be on the Canadian Opera Company

In this episode, I, Elizabeth Bowman, am joined by the insightful Michael Zarathus-Cook, Managing Editor of the Toronto Symphony Orchestra and Chief Editor of Cannopy Magazine. We're peeling back the curtain on the Emerging Arts Writer Program at the Banff Centre (part of Joel Ivany's Chamber Music and Opera program), revealing the nuts and bolts of nurturing new, vibrant voices in

Experience a journey into the world of opera with special guest, Timothy Myers, one of America's most innovative conductors. Recently appointed as Music Director at the Spoleto Festival USA Orchestra, Myers—who also holds the Music Directorship at Austin Opera—lends his unique insights into the changing landscape of opera and its audience in the post-pandemic world. Join us as

Italian-Canadian soprano and Principal at Cesaroni Consulting, Lucia Cesaroni, is a regular contributor to Opera Canada's print publications. She writes the Stage Business and Essential Perspectives columns. The Opera Glasses host, Elizabeth Bowman, chats with Cesaroni about the state of the opera business, more specifically what audiences want, music education, the worth of artist