AMPS Podcast

Nina Hartstone AMPS talks with Ron Bartlett, Re-Recording Mixer and Gareth John AMPS, Production Sound Mixer about their work on AMPS Film Sound Award winner Dune Part 2. Hear about the recording of shifting sand sounds and how it is not all about loud bangs and action but tight, quiet, delicate detail to pull the audience into the real desert environment of Arrakis. This episode

Director Jacques Audiard and re-recording mixer Cyril Holtz take us behind the scenes of Emilia Perez, sharing how their creative collaboration shaped the film’s groundbreaking soundtrack. They discuss finding inspiration in an unlikely character, integrating real-world sounds into musical sequences, and balancing raw emotion with stylized soundscapes. Discover how a single scen

Louise Burton AMPS in conversation with Production Sound Mixer Emmanuelle Villard and Sound Editors Valerie Deloof and Victor Fleurant about their work on Coralie Fargeat's film "The Substance" The innovative use of a stethoscope, Creative Foley and Coralie's approach to sound and her diverse team. Translator: Abla Candalaft

In this episode, the AMPS Podcast delves into the 12th annual AMPS Film Awards for Excellence in Sound in a Feature Film. Hosted by Martyn Harries, the episode features an engaging panel discussion with AMPS Council members George Foulgham, Louise Burton, Kate Davis, Rob Walker, and Andrew Wilson. Together, they explore what makes a soundtrack stand out and the artistry behind the

Nina Hartstone AMPS talks with the Post Production Sound team from 'The Brutalist' - Re-recording Mixer Steve Single, and Sound Designer Andy Neil. Thanks to Kate Davis AMPS and Azimuth https://azimuth.tv/ for recording and mixing this episode. This episode is sponsored by URSA straps https://ursastraps.com/

In this episode we hear what our AMPS colleague Simon Hayes wants in his Christmas cracker! He tells us about what inspired him to seek out a career in sound and about his love of recording live performances especially in his latest film - Wicked. This episode is sponsored by URSA straps https://ursastraps.com/

In this episode multi Oscar winning British Re-recording mixer Andy Nelson talks with Andrew Wilson about his career, his amazing body of work, in particular his work on Wicked. He reveals “the one that got away” and how he and Stephen react on their first day of a mix. This episode is sponsored by URSA Straps https://ursastraps.com/

Martyn Harries talks with BAFTA and Oscar nominee (No Time to Die - 2021) James Harrison about his work on Steve McQueen's film Blitz (2024) This episode is sponsored by URSA Straps https://ursastraps.com/

Martyn Harries AMPS talks with Gemma Nicholson about her interesting journey from Sound Editor to Post-Production Supervisor and why she started Post Super https://post-super.com/ as a hub for training and knowledge in High end TV and Film Post Production. We hear her views on training and up-skilling and about the state of the industry This episode is sponsored by URSA Straps htt

We Join AMPS Chair Andrew Wilson for a Q&A with Walter Murch and Director Howard Berry after a private AMPS viewing of their film Her Name Was Moviola This episode is sponsored by URSA Straps https://ursastraps.com/