Behind the Black Mask: Mystery Writers Revealed

THE BRASS VERDICT, the nineteenth novel from #1 New York Times Bestselling author Michael Connelly, gives definitive proof that Connelly is the most gifted crime writer since Raymond Chandler. Those with a debt to Chandler typically lack either the research skills, the knowledge of Los Angeles, or the soul for the job. Connelly has it all. Utilizing his skills as a former journalis

It is hard to imagine a sequel that is any more tightly intertwined with, or distinct from, its predecessor than Scott Phillips's 2002 THE WALKAWAY. His 2000 debut novel THE ICE HARVEST was a tight tale of one day in the tragicomic life of small-time Wichita mobster Charlie Arglist. THE WALKAWAY is an ambitious prequel-sequel to that bestseller, a complex narrative that alternates

THE TURNAROUND, George Pelecanos's fifteenth novel, is the work of a mature writer at the top of his game. It is a thoughtful examination of one event that permanently alters the lives of six young men—three black, three white. The story is both as straightforward and as complex as the characters it involves, and pulls the reader in through their palpable suffering. By creating s

That Coggins is a disciple of Chandler and Hammett is abundantly clear in his most recent August Riordan novel, RUNOFF. Riordan is in many ways analogous to Chandler's iconic Philip Marlowe. He is a relatively poor man, or he would not be a detective at all. He is a common man, or he could not go among common people. He has a sense of character, or he would not know his job. Coggin

Jonathan Santlofer is an artist and author of exceptional talent, a master of virtually any visual or linguistic medium. His work has been displayed in fine galleries around the world,and his art-themed crime fiction has drawn comparisons to the work of Michael Connelly. He is the author of five novels, three starring NYPD detective turned art historian Kate McKinnon (THE KILLING A

Christa Faust's latest novel, MONEY SHOT, distills all the darkest and most addictive spirits of 1940's film noir and 1950's hard-boiled into a lethal elixir. Such a statement is necessarily contradictory, for Faust's unique blend of a noir atmosphere of inescapable doom with the campy, two-fisted action of Gold Medal-era pulp, gives us characters who die so that they might be rebo

Long before Seth Harwood's JACK WAKES UP went to print with Breakneck Books it came roaring into our homes as a series of expertly-produced podcasts, a serialized publication in the tradition of classic pulps, but with a throaty growl and lightening agility like that of Jack Palms's one true love—his 1966 Mustang Fastback K-Code GT. And in this car we find a fitting metaphor for

Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital media—from blogs to podcasts, mashups to video games. Seth Harw

Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look in

Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is t