Benjamen Walker's Theory of Everything

ToE's Cultural Cold War miniseries concludes with three stories about containment and death. Richard Wright delivers his final lecture on Black Spies in Paris, Dwight Macdonald’s Mass Cult & Mid Cult finally debuts & flops, and Kenneth Tynan discovers the limits of social and cultural protest. Show notes: Matthew Tynan reads Kenneth Tynan’s 1960 speech, Michael Billingt

]Richard Wright died from a mysterious illness on November 28th, 1960. Or was he murdered? Tune in for a new listen to the final chapter of Richard Wright’s life: forged letters, fake terrorist groups, fraudulent doctors and French Radio.Shownotes: Françoise Vergès writes about decolonialism, and French history and thought, Kathleen Gyssels is writing about the Moulin d’Andé

In 1959, Anti-Americanism surged in the UK. England seethed over America’s treatment of its Prime Minister who was smacked down for daring to use diplomacy to resolve the crisis over divided Germany. In 1959 England also fretted over a new American export: the Beatnik. The British foreign office forcefully responded with a report advocating for “ an increased effort in the fiel

In the summer of 1959, Nixon and Khrushchev argued over a washing machine in a backstage kitchen in Moscow, while American Cold War intellectuals gathered in the Poconos to defend Kitsch. Dwight Macdonald, whose theory of mass culture translated too easily into Anti-Americanism, was barred from participating because this was no ordinary mass culture conference; it was an Anti Anti-

In the fall of 1958, Kenneth Tynan moved from London to New York and upon arrival, clashed with Hollywood mogul Samuel Goldwyn over socially engaged art and the politics of apolitical culture on live TV. At the same moment New Yorker writer Dwight Macdonald went West to report on “New” Hollywood's ambitions to create commercially and artistically successful films. We also meet

In 1956, Richard Wright spoke of islands of free men at the first Congress of Black Writers and Artists in Paris. James Baldwin critiqued the event for Encounter, the CIA’s propaganda magazine. We take a close listen to the original recordings. Shownotes: Merve Fejzula and Cedric Tolliver both wrote about the 1956 Congrès des écrivains et artistes noirs. Darryl Pinckney wrote o

In 1956 London Theater critic Kenneth Tynan helped launch a youth movement committed to exposing social and political issues on stage, on screen and in literature. We take a close look at the operators and opportunists behind England’s Angry Young Men. Shownotes: Michael Billington wrote for the Guardian, Celia Brayfield wrote Rebel Writers, Clare Bucknell wrote The Treasuries La

In 1956, New Yorker writer Dwight Macdonald joined Encounter, a magazine secretly backed by American and British security agencies. He arrived in London just as British Influencers turned a young Existentialist named Colin Wilson into England's answer to Jean-Paul Sartre. Meanwhile, the CIA incited a youth rebellion in communist Hungary. We investigate the covert propaganda behind

In the 1950s the CIA weaponized culture to capture hearts and minds in Europe and Africa. We meet three writers (Richard Wright, Kenneth Tynan, and Dwight Macdonald) who got caught up in this battle both as collaborators and targets between the years of 1956 - 1960. We also meet a propagandist responsible for the CIA’s cinematic version of 1984 (Operation Big Brother) and “book

The new ToE series Propaganda is Art has a companion podcast called Propaganda Notes & Sources, think audio footnotes! Each episode in Not All Propaganda is Art gets its own corresponding episode of Propaganda Notes & Sources. Your host goes through the script for each episode and cites all the corresponding original sources he consulted, and the archives he visited while r