Caliber 9 From Outer Space

Special guest Ali joins us to discuss a couple of Hong Kong tales of legendary proportions. We check out Legend of the Mountain (1979), directed by King Hu, and The Legend of Wisely (1987), directed by Teddy Robin. A period supernatural epic and a rollicking Indiana Jones-esque adventure story. This is some trip to the East. We will be announcing a Spoiler Territory section for bot

A couple of tales from the crypt, this week, as Joe and Rob check out seminal gothic horror, Black Sunday (1960), directed by Mario Bava, and Tombs of the Blind Dead (1972), directed by Amando de Ossorio. Barbara Steele delivers her grinning death stare and horrid, nibbling Knight Templar wights wreak slow motion carnage. Take a breath of dead air with us. We will be announcing a S

WARNING: Language gets a little more explicit than usual this week because we have a hardcore film in the mix! Dr Ethan joins us again to discuss British classic, Don't Look Now (1973), directed by Nicolas Roeg, and naughty epic, Thundercrack! (1975), directed by Curt McDowell. From the sublime to the ridiculous - you'll cry, you'll laugh, you'll scream, you'll vomit. You're welcom

More nihilistic Italian cops, more ancient Etruscan evil, more Oedipal ickiness. This week, Joe and Rob are drawn irresistibly back to Italy to sample Live Like a Cop, Die Like a Man (1976), directed by Ruggero Deodato, and Burial Ground (1981), directed by Andrea Bianchi. Cuddle up on the pillion seat - you're in for a very... very slow shamble on the wild side. We will be announc

We're going to the crossroads by the graveyard. This week, Joe and Rob check out the big daddy of gialli, Dario Argento's Deep Red (1975), and follow it up with At Midnight I'll Take Your Soul (1964), directed by Jose Mojica Marins (a.k.a. Coffin Joe). Italy's maestro of horror and Brazil's most famous horror icon together in one double feature! This is essential cult cinema, folks

Tune in, rev up and drop out. It's all about vehicular mayhem this week, as Joe and Rob fire up Vanishing Point (1971), directed by Richard C. Sarafian. and Highway Racer (1977), directed by Stelvio Massi. Honda blondes, Ferrari wheelies and Dodges not dodging enough for their own good - this episode has more car-based existentialism than you can throw a Renault down the Spanish St

Max is back to chat with Rob and Joe about some of the less universally loved instalments in the ever popular Alien franchise! We'll dive deep into Alien 3 (1992), directed by David Fincher, Alien Resurrection (1997), directed by Jean-Pierre Jeunet and, with much trepidation, Aliens vs Predator: Requiem (2007), directed by the Brothers Strause. You must have been on another planet

Achtung! This week Rob and Joe venture into 80's West Berlin and then a very Germanic 60's London as we check out Possession (1981), directed by Andrzej Żuławski, and classic krimi film, Dead Eyes of London (1961), directed by Alfred Vohrer. We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen (and you definitely should),

Break out the J&B whisky, it's GIALLO week! Al drops in again to talk about his great love of the Italian giallo. We'll chat a bit about this wonderful subgenre of thriller/horror/mysteries and dive deep into two selections from Al: Torso (1973), directed by Sergio Martino, and deeper cut, The Dead Are Alive (1972), directed by Armando Crispino. We will be announcing a Spoiler

Horror Iberico! We delve into a Spanish double feature this week with Who Can Kill a Child? (1976) directed by Narciso Ibáñez Serrador, and Pieces (1982) directed by Juan Piquer Simon. . We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Who Can Kill a Child?, you can rejoin the conversation at the 57:04 mark to avoid spoilers, and Sp