Ohno Radio

Gen and Zrinka sit down to chat about meeting in grad school, starting a type foundry, and the perils of raising a child while being a type designer. We announce Yumex, the new typeface designed by them, and released through Ohno.

Elizabeth Goodspeed can speak in paragraph form. It’s pretty impressive to me, someone that has to write in paragraph form and then read it aloud. I had been wanting to talk to Elizabeth for a long time, because she’s so funny. I knew she was smart, and a great designer, but I still don’t understand how her brain works. She’s known for spotting trends, naming them, creatin

Summer is here, and so is this 18 minute identity crisis as I navigate running a business, renovating two homes, with two kids, and moving Ohno headquarters from Oakland to San Jose, California.

We go behind the scenes at Ohno to tell the story of our new typeface, Casserole. It began as a reinterpretation of Louis Minott’s Davida from 1966. I got to speak with his granddaughter to learn more about Louis as a designer, father, and grandfather. Then, we have a breif conversation between Colin Ford, and Jamie Otelsberg, the Ohno designers that worked on the project with me

Jen Wagner didn’t come to design as a designer; she actually studied marketing, had a slew of businesses, eventually landed in fonts, and just hit the ground running. Today she’s a powerhouse, running her foundry Jen Wagner Co. She is prolific and has an incredible knack for hitting the nail on the head stylistically with each release. I absolutely loved talking to Jen, because

Lynne Yun, what hasn’t she done? She worked at Apple, worked at Monotype, she’s got her own stuff through her foundry Space Type, she’s a calligrapher, type designer, lettering artist, and that’s just the tip of the iceberg somehow. More recently, she attended the School of Poetic Computation and has become an expert on generative typography. Now, Juan Villanueva, grew up i

I’ll be honest, this episode was recorded in July, but some things, like the work of our guest, are timeless. I talked with Kris Sowersby for almost two hours, which makes this the longest Ohno Radio episode in history. You know Kris’s work, it’s top notch, in both concept, and execution. I hate him, because he can take even the most well-trodden thing, like I dunno, Helvetic

A few months ago, I saw Ben Kiel talk about a covid scare in his family that kept him home from the Typographics conference. I knew Ben was planning on attending, and I knew he was stoked to go! Now, I was also feeling just a bit of fomo about the conference, so I reached out to talk. Now if you listen to this podcast, you probably know who Ben is, but if you don't, he's what we ca

Today on the show we have Rutherford Craze, the designer behind the foundry Mass Driver. In just about 2 years, Rutherford has taken his Mass Driver from a little baby, to a fully adult foundry. It’s a truly remarkable trajectory, and I wanted to talk with him, and just see how he did it. You might have seen his Future Fonts release entitled MD Nichrome, and you might have also s

In today’s episode, we answer a question from Tony Quintero who wrote in to ask how students can get the most of whatever program they’re in. The answer to that question boils down to Sister Corita Kent’s 10 Rules for Teachers and Students. We dive into the rules, and talk about why this short piece of writing has been hugely influential to me. Special thanks to my Typograph