Starving Artist No More

What do you need to be your best creative self? Where and how do you do your most innovative, exciting, unique-to-you work? And how can you take intentional steps to give yourself that “maximum creativity environment” so that you are able to do that kind of work? The answers to these questions are going to be different for every artist and every creative listening to this podca

Do you understand how your creative industry works? Do you know who the key players are, and do you have an understanding of how artists in your specific creative discipline get projects and are able to do the work that you do? Do you have a firm grasp of the current style trends and changes that are impacting the creative work of your colleagues? How much do you know about the beh

As an artist who is also a small business owner, it sometimes feels like you’re pulled in two opposite directions: toward creative freedom and artistic expression on one side, and toward business-focused administrative tasks on the other. For most of us, in our creative training, whether that was art school or conservatory training or just a liberal arts education, everything was

When you’re facing a problem or a difficult situation in your creative business, what is your first reaction? What do you do? Do you feel frozen? Do you feel frantic, like you have no options? Do you beat your head against the wall? Or do you take a step back and find a way to walk around the wall? I know that, personally, my initial reaction is always either to freeze or to feel

As a creative entrepreneur, your time is literally your most valuable resource. From a business perspective, time is what you sell, because your artistic products require time to create. From a personal perspective, all work and no play makes you a miserable, starving artist (and it’s right there in the name of the podcast that we’re saying “NO MORE!” to the myth of the sta

When you look at the list of your clients, the list of people who purchase your creative work, what do they look like? Do all of those people or businesses look the same, or do they differ in some way? And when you look at the type of creative work you do, does it all fit into a tiny little box, or do you work in lots of different spaces and in lots of different ways? When you thin

Regardless of what creative industry you work in, communication is key. Particularly when you think of marketing yourself and your work to the people in your industry who serve in the project assignment role, the importance of professional communication skills cannot be overstated. When the decision-makers in your industry are deliberating about which artist to consider for a proje

While I’m not neurodivergent myself, I know a lot of artists who are. In fact, quite a few of the artists who work with me to build their entrepreneurship skills are neurodivergent in one way or another. You, the fabulous artist listening to this podcast, might even be neurodivergent yourself. And this prevalence of neurodivergence among artists is more than just anecdote; a rece

Questions related to branding and marketing can often feel incredibly overwhelming for artists. The vast majority of creative entrepreneurs got into their line of work because they were passionate about the “creative” part of the “creative entrepreneur” label, not so much because they felt drawn to the “entrepreneur” part. But as I’ve said before on this podcast, the

When I’m working with artists, the most frequent question they ask is how they should structure their creative business. How do they know which tasks in their creative entrepreneurship life are worth their time? How should their business work if they want that business to support them and fulfill them in all the ways they need to be supported and fulfilled: personally, creatively