Write On: A Screenwriting Podcast

Mar 27 2025 100 ep. 34 mins 1.1k

Write On: A Screenwriting Podcast artwork

Designed to help you navigate the screenwriting industry, Final Draft, interviews working screenwriters, agents, managers, and producers to show you how successful executives and writers make a living writing and working with screenplays, and how you can use their knowledge to break into the industry. Subscribe today to catch every episode!

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Write On: 'The Residence' Creator & Showrunner Paul William Davies

Mar 27 2025 43 mins

“I didn’t really set out to make Cordelia (Uzo Aduba) quirky. I just wanted to make her distinctive. I just really thought about who I wanted her to be and how I thought [birdwatching] would be an interesting way for her to approach her job. And the very first thing that came to me was just her use of silence and her ability to just be comfortable in situations that might make

Write On: Peter Katz - Manager & Producer, Story Driven

Mar 19 2025 35 mins

“Sameness is terrible. Your goal is to cut through it. If you have a unique perspective, you’re going to take vampires or anything that everybody thinks they know and do it in a way that’s really exciting and gets people really pumped up about it. There are all these incredible worlds to explore, but there just needs to be somebody that can take you there that has a different

Write On: 'Long Bright River' Showrunner Nikki Toscano

Mar 07 2025 35 mins

“With an adaptation, you can never give back your first read. So, what are you taking away? What fills your soul? Why do you want to tell this story? And then that becomes sort of the North Star. And I’m tethered more by that North Star than by the actual moves that are happening in the book,” says Long Bright River showrunner, Nikki Toscano, about adapting Liz Moore’s best

Write On: Comedy Writing with Brent Forrester

Feb 12 2025 41 mins

“My recommendation to anybody who is writing animation is to take advantage of the things you can do in animation that you can’t do in live action, which is to spend an infinite amount of money, right? If you and I are going to write a scene and you say, ‘Oh, let’s set it on a battleship, but then space aliens come and suddenly we’re transported to Jupiter,’ it better b

Write On: 'The Performance' Co-Writer Josh Salzberg

Jan 29 2025 43 mins

“Fugler (Robert Carlyle) was a character that I really connected with from the beginning. I know it sounds a little strange that the Nazi was my way into this, but it really was that idea of, ‘How can we get inside his head and make sure that he’s a fully fleshed out person that way?’” says Josh Salzberg about trying to make his villain, a Nazi named Damien Fugler, a thre

Write On: 'Inside Out 2' Co-Writers Meg LeFauve and Dave Holstein

Jan 24 2025 60 mins

“People think sequels are easier, and I’m like, ‘No, no, it’s much harder. It is much harder to write.’ They have never written sequels, those people, because you need to do everything as well as the first and yet better, and go to new places, follow all the world rules, but create new ones. I mean, it’s just so many balls in the air,” says Meg LeFauve, co-writer for

Write On: 'The Boys' Creator & Showrunner Eric Kripke

Jan 17 2025 56 mins

“The most subversive thing this show could do is make you cry… If you really boil down television, really cook it in the pan, it’s the character business. I’m in the character business. Movies are in the plot and spectacle business, for television, there’s a thing about laying in bed and watching someone in your bedroom or living room that you really care about, you’re

Write On: 'Conclave' Screenwriter Peter Straughan

Jan 06 2025 32 mins

“If everything's being played on the surface, it's very hard to make that character come to life. You want hinterland, you want subtext. You want the things that are buried, the things that we don't know about them, the things that maybe they don't know about themselves. And always, the story is about this excavation of what's underneath the surface. One way or the other, that's

Write On: 'Only Murders In The Building' Co-Creator & Showrunner John Hoffman

Jan 03 2025 40 mins

“There's no greater laugh than when you're at your most vulnerable. You're at a funeral, or you're in church and something's happening and there's great reprieve from the most human moments through humor. And even in those moments, something is funny or human and fumbling. And that scene itself [when Charles discovers Sazz’s ashes], when I was watching it, I really felt like th

Write On: 'Dune: Part One & Part Two' Screenwriter Jon Spaihts

Dec 30 2024 35 mins

“In most genre fiction where heroes and villains clash, the hero is intrinsically reactive. The villain starts making trouble and that’s the beginning of the story. If the villain had never showed up, the hero would have lived a pleasant and unremarkable life and had a lovely time. And nothing novel-worthy would have popped up. But the villain comes along and does something ter