Discord and Rhyme: An Album Podcast

We’ve held off on R.E.M. for a while, because the Athens, Ga., quartet is just such a heavyweight in the rock canon. They’re so huge, in fact, that they merit two episodes: one for the mumbly, Byrdsy alt-rock troubadours of the ‘80s, and one for the slightly less mumbly arena rock titans of the ‘90s and onward. We’re starting off with their 1983 debut Murmur, which fueled

Rich, Mike, and Amanda answer a bonanza of questions from listeners. Topics include retro prog, great live albums and not-so-great live shows, fantasy supergroups, synesthesia, our favorite recent releases, and no fewer than three questions about the Moody Blues. Listen through to the end for a special request to listeners!

Peter Gabriel is a favorite artist of many of us here at Discord & Rhyme, but we’ve saved him for our own 138th Episode Spectacular. Peter Gabriel III (aka Melt, so called because half of Gabriel’s face on the album cover looks like a melting candle) isn’t just John’s favorite Peter Gabriel album; it’s an album that made him reconsider (in a favorable light) the entirety

Hear that? There goes the siren that warns of the air raid – or maybe that’s just Bruce Dickinson’s voice. This week, Mike continues his quest to make Discord & Rhyme more metal with the album Powerslave by Iron Maiden. In the popular consciousness, Maiden are known for their goofy album covers and hits like “Bring Your Daughter … to the Slaughter.” But if you dig just

Kylie Minogue had a big comeback last year with the Grammy-winning TikTok hit “Padam Padam,” so Rich decided that it was finally time to give the Discord & Rhyme treatment to one of his favorite divas. Kylie’s 2007 album X wasn’t just an artistic comeback, but a physical and emotional one, recorded in the wake of her grueling but successful treatment for breast cancer. At t

Amanda has been threatening to talk about bluegrass on the podcast for years, and we finally settled on the perfect album to start with: Live!!!! Almost!!! by the Dillards. Half a comedy album and half a virtuoso performance by expert musicians, it’s a fantastic introduction to the genre. It was recorded in front of an audience completely unfamiliar with bluegrass music, so the b

Uriah Heep were never critical darlings, but for a brief period in the early seventies, they were making some absolutely killer fantasy-tinged rock. Phil has always had a soft spot for 1972’s Demons And Wizards, which is probably the best example of what could happen when this band was truly firing on all cylinders. He, along with Dan and Mike, makes the case for why this album s

Rodgers and Hammerstein’s musical Oklahoma! was a massive hit on Broadway in 1943. It changed musical theater forever and inspired a well-remembered 1955 film. Ben hasn't seen the musical or the film, and he doesn't know the plot or the names of the characters. But he loves the music. He and Rich and John dive into a 1964 studio recording of the Oklahoma! soundtrack and make a ca

Paul Simon and Art Garfunkel were gifted musicians with a deep and complicated personal relationship, which makes them perfect subjects for a Discord & Rhyme holiday episode. Their magnum opus, Bridge Over Troubled Water, was a huge hit in 1970 and is still as beautiful, innovative, and occasionally silly as it ever was. Ben, Amanda, Rich, and John love this album dearly, and discu

1 2 X U! As punk was just beginning to take off in the UK, Wire was already looking ahead, itching to push the genre toward artsier, more abstract frontiers. Their 1977 LP Pink Flag planted the seeds for post-punk and hardcore before most kids had even had a chance to spike their first mohawk. Boasting a dizzying 21 tracks at an economical 35 minutes, Wire packed more into one albu