Wong Notes

This time on Wong Notes, guitar legend Kurt Rosenwinkel joins Cory Wong to go deep on all things jazz. The genre has always been a haven for free-thinkers and adventurers, so it’s little surprise when Rosenwinkel reveals that he’s incorporated a Fractal FM9 into his live rig—though it’s still working in tandem with a good ol’ Fender tube amp.Rosenwinkel divulges the

The legendary shred maestro—best known for his work as a solo artist and as a member of Return to Forever and other high-profile, hot-shot collabs—drops by to chat with Cory about his new epic full-length, Twentyfour. It features “sixteen brand-new compositions and they’re all very involved. I hope I don’t have to do this again.”One of Di Meola’s biggest projects

Marcus King has already been through the wringer, but he’s on the come-up. His hotly anticipated third LP, Mood Swings, drops this Friday, April 5, and on this episode of Wong Notes, the earnest, honest 28-year old South Carolinian goes deep on his career with Cory Wong.The two shredders open by swapping notes on how touring has changed post-pandemic. Costs are way up,

The ascendant roots shredder shares intimate details from his musical upbringing and gets philosophical on the past and future of bluegrass.Millennial folk philosopher Billy Strings joins this episode of Wong Notes. The Grammy-winning acoustic picker is an open book—nothing is off limits with Billy, from recounting his days selling magic mushrooms in exchange for passing gra

This time on Wong Notes, Cory is joined by his Vulfpeck and Fearless Flyers copilot Joe Dart. Wong doesn’t waste any time, diving in by asking Dart, by now renowned as a modern bass wizard with flawless fundamentals, how he developed he signature “voice” on the bass. As Dart explains, it came from listening to players who had their own distinct “voice,” who sound like “

Multi-instrumentalist Louis Cato has had a lot on his plate since taking over as bandleader for Jon Batiste on The Late Show with Stephen Colbert in late 2022, but has been enjoying every minute of it. "I feel like I'm exactly where I'm supposed to be, with exactly the people I'm supposed to be there with," he tells Cory on this episode of Wong Notes. Of course, give

Session drum ace Aaron Sterling might have fusion roots, but his bread-and-butter work lives at the top of the charts, where’s he’s featured on tracks by artists such as John Mayer, Taylor Swift, Harry Styles, and Lana Del Rey. He tells Cory what brought him to Los Angeles, why he’s “meant to be in the studio” instead of the stage, and he shares the surreal story of playi

Cory Wong sits down with indie-rock bandleader Margaret Glaspy for an in-depth dialogue on artistry, celebrity, and the wisdom of Bruce Lee.Glaspy shares how she cut her latest record, Echo The Diamond, live off the floor, with most of the “homework” happening beforehand and studio performances happening in-the-moment. “It really felt like air blew through the studio and

"I don't consider myself a jazz musician," says guitarist Charlie Hunter on this episode of Wong Notes—essentially refuting how he's known in the music world. "I am maybe jazz adjacent." Most listeners probably wouldn't agree, but if nothing else, Hunter is experimental. He's known for playing a guitar that's strung with both bass and electric guitar strings, that has two pickups

Cory’s cast is off and he’s here to tell you to “go get hip” to Bruno Major! The soulful, jazzy British singer-songwriter shares why he prefers to record in his bedroom than a studio to create his “relatively lo-fi” music. “It’s far more important to be transmitting a privacy than an audio quality,” Major says. But he’s quick to point out that you can get good a